{"id":2989,"date":"2023-11-22T12:12:07","date_gmt":"2023-11-22T12:12:07","guid":{"rendered":"https:\/\/pajosart.com\/?page_id=2989"},"modified":"2024-01-18T21:44:13","modified_gmt":"2024-01-18T19:44:13","slug":"blog","status":"publish","type":"page","link":"https:\/\/pajosart.com\/et\/blog\/","title":{"rendered":"BLOGI"},"content":{"rendered":"
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BLOGI<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tKaks maali - kaks j\u00f5udu\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\tnovember 24, 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t
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Lately I\u2019ve been looking more deeply at two forces of nature \u2013 the feminine creative energy and the masculine destructive force. My last two paintings are about exactly that. I painted them in parallel and finished them almost at the same time. You could say they are a pair \u2013 \u201cThe Natur of Nature 1\u201d and \u201cThe Nature of Nature 2\u201d. The Nature of Nature 2 oil on plywood 2025 In this painting, a destructive giant rises above the forest and the meadow together with his strange companions. Just like Shiva \u2013 a devastating force without personal intention or guilt. At the same time, there is a kind of playful beauty in this chaotic movement: a reminder that decay clears<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tLoe edasi\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tThe Mystical Dimension of Art \u2013 Why We Need Mystery in Our Lives\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\tseptember 23, 2025\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t
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I believe that every person needs a certain dimension of mysticism in their life, because life in its very essence is one great mystery. Too often, our rational mind reduces this depth into a flat, two-dimensional banality. From the perspective of logic, life appears as a linear timeline that begins with birth and ends with death. But when viewed only this way, we miss the profound layers and hidden depths that existence truly holds. Mysticism in Estonian Art I have been called one of the mystics of Estonian art. Perhaps this is an exaggeration, but the mystical dimension is not so difficult to notice. It lives within us constantly, waiting for a quiet moment of stillness to be discovered. Mysticism<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tLoe edasi\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tKursi Koolkond\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\taprill 21, 2024\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t
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Here is a small introduction to the artists group called Kursi Koolkond. The artist group originally created in 1988 by 4 young men -Peeter Allik, Ilmar Kruusam\u00e4e, Priit Pangsepp and Albert Gulk in Estonian town named Tartu is now 36 years later the oldest continuously active group in Estonia. At least one or two local and international highy professional art exhibitions are organized every year. The Estonian name Kursi Koolkond refers to the small village of Kursi in central Estonia, with which all founding members had some sort of connection. As in any band that has been active for a long time, several members have passed through the Kursi Koolkond.  Marko M\u00e4etamm, Reiu T\u00fc\u00fcr, Imat Suumann and  K\u00fclli Suitso have<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tLoe edasi\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tM\u00e4gij\u00e4rve \u00e4\u00e4res\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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I will talk a little about one of my last oilpaintings born at the beginning of 2024, which I named “By the mountain lake” Of course, we could talk more about the relationship between the paintings and their titles. This is always a bit of a problem for me personally. Sometimes giving a name to a painting is easy and the title even seems to be the only option, but often enough it is just the opposite.  It has become a tradition that every child has a name, and of course it is also a practical matter. Who would bother memorizing everything, for example, according to the numbers in the order of birth. The painting in question was named after<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tLoe edasi\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tPurjus Buddha ja teised\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\tm\u00e4rts 5, 2024\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t
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It has been fourteen years (!) since the last personal exhibition in Estonia After such a long break, one could feel uncertain about coming back to the Estonian art scene. Moreover, the opportunity to make the exhibition came unexpectedly, barely four weeks before the deadline. However, the feeling is quite strong. The Small gallery of the former hometown Tartu Art House is a familiar place and easy to manage due to its size of only 56m2. Rather, the anticipation is to see the entire existing new painting set as a whole in one room. In addition, I plan to approach the design of the hall in an innovative way for myself and expand the dimensions of the paintings slightly outside the<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tLoe edasi\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tn\u00e4ituste seeria \"Puus\u00fc\u00fc\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\tveebruar 21, 2024\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t
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story behind the exhibitions Every artist knows how much the material on which the work is created means to the experience of creation. It is a completely different feeling to paint on white fabric or on natural plywood already full of patterns and shapes. Plywood as a base material has been used in my paintings throughout my time as an artist. Although I have used it very sporadically, I can still call it my favorite material. I consciously stopped painting on canvas a few years ago when I started experimenting with the possibilities of fire and tree cooperation.  Of course, these are not equal partners, and so the wood does not have the slightest chance against fire. As a cautious<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tLoe edasi\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\"Metsikud\"\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\tjaanuar 16, 2024\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u201dMetsikud\u201d on h\u00e4sti \u00f5nnestunud maal!\nKiidan ennast liiga harva ja selleks siis t\u00e4na teen seda\n\nAlustasin maaliks ettevalmistust detsembri alguses. Kaks ilusa mustriga suuremat vineeralust olid ootel ja nii otsustasin p\u00f5letada need \u00fcheskoos.\nKarges k\u00fclmas maakodus gaasip\u00f5letiga m\u00f6llamine oli juba iseenesest m\u00fcstiline kogemus. \nOlin juba p\u00f5letameise protsessist alates v\u00e4ga p\u00f5nevil ja ei j\u00f5udnud \u00e4ra oodata maalimisega alustamist. Keskne figuurikoht oli k\u00f5iksuse poolt selgelt paika pandud ja sealt see siis algas...<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tLoe edasi\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tMetsas\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
\n\t\t\t\t\t\n\t\t\tdetsember 7, 2023\t\t<\/span>\n\t\t\t\t<\/div>\n\t\t\t\t
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I will talk a little about the painting called `In the woods.’ I used to make preparatory sketches before starting the paintings on the burnt plywood boards. I planned the compositions of the works quite precisely before starting to paint. However, I have always considered the process of painting itself as important as the end result. Surprises in the course of work are exactly what give things pleasure and excitement. While burning the wooden boards and planning the artworks, I found that the paintings had started to compose themselves. I don’t have to start \u201dfrom scratch” because the fire element has already firmly established itself on the plywood. In the painting `In the woods, the main composition, which has been<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tLoe edasi\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

BLOGI<\/p>","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2989","page","type-page","status-publish","hentry"],"yoast_head":"\nBLOG - PRIIT PAJOS art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pajosart.com\/et\/blog\/\" \/>\n<meta property=\"og:locale\" content=\"et_EE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"BLOG - PRIIT PAJOS art\" \/>\n<meta property=\"og:description\" content=\"BLOG\" \/>\n<meta property=\"og:url\" content=\"https:\/\/pajosart.com\/et\/blog\/\" \/>\n<meta property=\"og:site_name\" content=\"PRIIT PAJOS art\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pajosartist\/\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-18T19:44:13+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@PriitPajos\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutit\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/pajosart.com\\\/blog\\\/\",\"url\":\"https:\\\/\\\/pajosart.com\\\/blog\\\/\",\"name\":\"BLOG - 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